Postcard Signed By Seamus Heaney
Heaney, Seamus
£250.00
Availability: In stock
Product Description
Postcard Signed By Seamus Heaney
Author: Heaney, Seamus
Price: £250
Publication Date: Postmark dated 1983
Format: Postcard
Condition: Very good indeed
Description:
A handwritten postcard of Paul Klee’s painting “Arab Song” from the Irish poet, Seamus Heaney, dated 1983 from the postmark, to the composer George Newson conveying “every good wish to the settings and the broadcast. I hope Francis flies in the end! Seamus Heaney”. The reference is probably Heaney’s poem about St Francis (from his first collection “Death of a Naturalist”).
Condition: Very short closed tear to the lower margin and very minor creasing. In very good indeed condition overall.
Seamus Heaney: A Short Biography
Seamus Heaney (1939–2013) was an Irish poet, playwright, and translator, widely regarded as one of the greatest poets of the 20th century. Born on April 13, 1939, in Mossbawn, County Londonderry, Northern Ireland, Heaney grew up in a rural farming community, an experience that deeply influenced his poetry, which often reflects themes of nature, heritage, and the complex political landscape of Northern Ireland.
Heaney was the eldest of nine children in a Catholic family. He attended St. Columb’s College in Derry on a scholarship and later went on to study English language and literature at Queen’s University Belfast. It was during his university years that Heaney began to write poetry, influenced by both the Irish literary tradition and the modernist poets he studied.
His first major collection, “Death of a Naturalist (1966)”, was met with widespread acclaim, establishing Heaney as a significant new voice in poetry. The collection, which includes some of his most famous poems like “Digging” and “Mid-Term Break,” is characterized by its vivid language, exploration of rural life, and reflections on personal and political identity.
Heaney’s work often grapples with the history and culture of Ireland, particularly the sectarian conflict known as “The Troubles”. His poetry addresses the violence and division in Northern Ireland, but it also frequently transcends the immediate political context to explore universal themes of humanity, suffering, and the search for meaning.
Over his career, Heaney published numerous acclaimed collections, including “North” (1975), “Field Work “(1979), and “The Haw Lantern” (1987). He was also a respected translator, with his translation of “Beowulf “(1999) being particularly celebrated for its power and accessibility.
In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. The Nobel Committee praised him for his “works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past.” This recognition solidified his status as a poet of global importance.
Beyond his writing, Heaney was a respected academic and held teaching positions at various universities, including Harvard and Oxford, where he served as Professor of Poetry. His lectures and essays, particularly those collected in “The Redress of Poetry” (1995), are highly regarded for their insight into the role of poetry in society.
Heaney’s later works, such as “The Spirit Level” (1996) and “District and Circle” (2006), continued to garner critical acclaim, further demonstrating his ability to evolve as a poet while remaining deeply connected to his roots.
Seamus Heaney passed away on August 30, 2013, in Dublin, Ireland, leaving behind a rich literary legacy. He is remembered not only for the depth and beauty of his poetry but also for his humility, generosity, and his profound impact on both Irish and world literature. His work continues to be read and studied widely, resonating with readers for its emotional power, linguistic mastery, and its exploration of the human condition.
George Newson: A Short Biography
George Newson (born 1932) is a distinguished British composer, renowned for his contributions to contemporary classical music. Born in London, England, Newson developed an early interest in music, which led him to pursue formal studies at the prestigious Royal Academy of Music. Under the tutelage of prominent composers and musicians, he honed his skills in composition, orchestration, and musical theory.
Newson’s compositional style is characterized by its innovative use of harmony, rhythm, and texture. He often experiments with unconventional structures and instrumental combinations, creating works that challenge traditional boundaries while remaining accessible and engaging. His music reflects a deep understanding of both historical and modern musical forms, blending them seamlessly to produce a unique and evocative sound.
Throughout his career, George Newson has composed an array of works across various genres, including orchestral pieces, chamber music, operas, and solo instrumental works. Some of his notable compositions include:
- “Madrigal ’65” (1965): A piece for chamber ensemble that showcases Newson’s skill in crafting intricate melodic lines and harmonies.
- “Opera: The World’s Desire” (1979): An operatic work that combines traditional operatic elements with modern musical language, exploring themes of love and human longing.
- “Concerto for Orchestra” (1984): A dynamic and challenging piece that highlights the capabilities of the modern orchestra, featuring complex rhythms and textures.
In addition to his work as a composer, Newson has been an influential educator, teaching at various institutions and mentoring emerging composers. His dedication to music education has helped shape the next generation of composers and musicians, passing on his passion for innovation and excellence in the field.
George Newson’s contributions to contemporary music have been recognized through various awards and honours. His works have been performed by leading orchestras and ensembles worldwide, and he continues to be celebrated for his creativity, technical mastery, and the emotional depth of his compositions.
Despite the challenges faced by contemporary composers in reaching wider audiences, Newson’s music has resonated with listeners and critics alike, securing his place as a significant figure in the landscape of 20th and 21st-century classical music.
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