Professor Philippulus The Prophet – Figurines Tintin La Collection Officielle – 46 – Le Professeur Philippulus Prédicateur

Hergé & Editions Moulinsart

£75.00

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Product Description

Professor Philippulus The Prophet – Figurines Tintin La Collection Officielle – 46 – Le Professeur Philippulus Prédicateur

Author: Hergé & Editions Moulinsart
Price: £75.00
Publisher: Editions Moulinsart
Publication date: 2013
Format: Original pictorial boards with passport and figurine
Condition: In near fine condition
Illustrations: Illustrated throughout

Description:

Original pictorial boards. Includes passport loosely inserted. Text in French. Includes the accompanying figurine. One from the collection of 111 books and figurines. Very slight wear. In very near fine, clean condition overall.

Professor Philippulus: A Short Biography

Professor Philippulus — often referred to as Philippulus the Prophet (Philippulus le Prédicateur in French) — is one of the most eccentric and disturbing figures in Hergé’s The Adventures of Tintin. Appearing in The Shooting Star (L’Étoile mystérieuse, 1942), he is both comic and unsettling: a learned man driven to madness by cosmic events he cannot comprehend.

Through Philippulus, Hergé explores the fine line between scientific reason and apocalyptic fanaticism, using his descent into delusion to reflect the anxieties of a world on the brink of war.

Character Profile

Professor Philippulus is introduced as an astronomer, a man of science with expertise in celestial phenomena. However, when a mysterious new star appears in the sky — a fragment of an approaching meteor — Philippulus suffers a psychological collapse. Convinced that it signals the end of the world, he renounces science and declares himself a prophet sent to warn humanity of divine punishment.

His appearance becomes increasingly eccentric: he dons a white robe, carries a handbell, and parades through the streets proclaiming doom. He refers to himself in the third person — “Philippulus the Prophet!” — and denounces “sinners” and “infidels” with theatrical intensity.

Role in The Shooting Star

Philippulus first appears as one of the astronomers who detects the strange celestial body approaching Earth. Initially rational, he contributes to the scientific discussion about its trajectory. When the observatory’s instruments predict a potential collision, he interprets this as a biblical apocalypse.

Soon after, his behaviour deteriorates into delusion. He storms through the city at night, ringing his bell and shouting prophecies of destruction. His transformation shocks his colleagues and amuses passers-by, but his presence also adds a sinister undercurrent to the story — a reminder of how fear can unhinge the mind.

As Tintin and his friends later embark on an expedition to investigate the fallen meteorite, Philippulus reappears, more deranged than ever. He harasses the crew of the Aurora, proclaiming divine wrath and attempting to disrupt their mission. In one memorable scene, he stands on the ship’s mast at night, waving his arms and shouting, illuminated by flashes of lightning — an image that fuses comedy with genuine menace.

Eventually, he is subdued and confined to an asylum, his bell silenced, his mind beyond recovery.

Personality and Characteristics

Philippulus is a tragicomic figure — a once-respected scholar undone by his own intellect and fear. His personality embodies several conflicting traits:

  • Learned yet irrational: His scientific knowledge gives way to hysteria once he confronts something beyond explanation.
  • Eloquent yet absurd: His speeches mix biblical language with nonsense, producing both humour and unease.
  • Proud yet pitiful: He believes himself chosen by divine power, but his self-importance only deepens his isolation.

In this, Hergé crafted one of his most psychologically complex characters: a man whose brilliance collapses under existential pressure.

Symbolism

Professor Philippulus symbolises the collapse of reason in the face of fear. His story unfolds during an era of global anxiety — The Shooting Star was first published in 1942, when Europe was engulfed by the Second World War. Many critics have seen Philippulus as a reflection of society’s panic: when faced with catastrophe, even educated minds may turn to fanaticism and despair.

He also represents the danger of confusing faith with delusion. While Tintin and his friends respond to crisis with courage and reason, Philippulus yields to hysteria, seeing punishment where there is only nature. In this contrast, Hergé celebrates rational inquiry and moral steadiness over superstition and fear.

The bell Philippulus rings is both literal and symbolic — an alarm for humanity’s conscience, but also the tolling of madness.

Psychological Interpretation

Viewed through a modern psychological lens, Philippulus can be understood as a man suffering from acute paranoia or psychotic breakdown, triggered by cosmic anxiety. Hergé’s portrayal, though comic, is remarkably perceptive. The oscillation between grandeur and terror, between proclaiming divine mission and succumbing to fear, reflects real symptoms of manic delusion.

His story also hints at Hergé’s fascination with mental instability — a theme he would revisit in later works such as Tintin in Tibet, where emotional strain and vision blur the line between reason and faith.

Relationship to Tintin and the Narrative

Tintin’s encounters with Philippulus serve to define Tintin’s moral character. The hero treats him not with contempt, but with compassion and alarm. Tintin’s rationality, courage, and composure contrast with Philippulus’s hysteria, reinforcing Tintin as the embodiment of calm reason amid chaos.

The confrontation on the Aurora — with Philippulus shouting from the mast against Tintin’s appeals to sanity — serves as a symbolic duel between enlightenment and madness.

Artistic and Tonal Importance

Visually, Hergé’s depiction of Philippulus is unforgettable. The contrast between his flowing robe and wild expression evokes both biblical prophets and tragic clowns. His scenes are framed in stark lighting — torches, lightning, or moonlight — giving them a gothic intensity rare in early Tintin stories.

The figure of Philippulus adds psychological texture to The Shooting Star, elevating it beyond adventure into allegory. The character’s presence transforms a story about a meteorite into a meditation on human frailty.

Legacy

Though he appears in only one album, Professor Philippulus remains one of Tintin’s most haunting and memorable figures. His madness, half-comic and half-apocalyptic, represents a moment when Hergé’s storytelling matured — blending adventure, philosophy, and psychological realism.

In Philippulus, Hergé captured a universal truth: that fear, when left unchecked, can distort even the brightest intellect. His bell still echoes as a warning — not of divine wrath, but of the perils of losing faith in reason.

Summary

  • Full name: Professor Philippulus (known as Philippulus the Prophet)
  • First appearance: The Shooting Star (L’Étoile mystérieuse, 1942)
  • Profession: Astronomer turned apocalyptic preacher
  • Traits: Intelligent, theatrical, delusional, self-important, tragic
  • Symbolism: Represents the collapse of reason into fanaticism; a reflection of wartime fear and psychological fragility
  • Fate: Declared insane and confined to an asylum
  • Legacy: One of Hergé’s most psychologically insightful and visually striking creations

Why Buy from Us?

At Hornseys, we are committed to offering items that meet the highest standards of quality and authenticity. Our collection of objects and rare books are carefully curated to ensure each edition is a valuable piece of bibliographical history. Here’s what sets us apart:

  • Authenticity and Provenance: Each item is meticulously researched and verified for authenticity and collation.
  • Expert Curation: Our selection process focuses on significance, condition, and rarity, resulting in a collection that is both diverse and distinguished.
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Cataloguer: Daniel Hornsey

Daniel Hornsey has specialised in fine and rare books, ephemera, and collectors’ editions for over thirty years. As a long-standing member of the antiquarian book trade, he has advised private collectors, curated catalogues, and sourced works for leading dealers, libraries and institutions across the world.

Hornseys’ exhibit regularly at book and map fairs in London and throughout the UK and are members of the Provincial Booksellers Fairs Association, the PBFA.

His fascination with Hergé’s work — especially ‘The Adventures of Tintin’ — began in childhood. Daniel recalls reading Tintin in original European editions and quickly recognising that these were not merely children’s books, but finely illustrated narratives crafted with artistic depth and wit.

As noted by the Musée Hergé in Louvain-la-Neuve, Hergé’s ‘ligne claire’ style has influenced generations of European comic artists and his original drawings and paintings command very high prices with his painting of ‘The Blue Lotus’ jar fetching £2.8m at auction in 2021.

By presenting these works through Hornseys’, he hopes to contribute to the continued appreciation of one of the 20th century’s most influential illustrators, helping new generations discover the artistry and legacy of Hergé.

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