William Hone, George Cruikshank and Contemporary Political Satire — Six Radical Pamphlets, 1819–1820
Hone, William, Fairburn, John, Greenland, G, Johnston, J & Cruikshank, George
£225.00
Availability: In stock
Product Description
William Hone, George Cruikshank and Contemporary Political Satire — Six Radical Pamphlets, 1819–1820
Contents: Six separately published political satires bound together
Principal Authors / Publishers: William Hone; John Fairburn; G. Greenland; J. Johnston
Illustrator: George Cruikshank and others
Dates: 1819–1820
Edition: Various editions; one apparent first edition
Format: Octavo
Binding: Later burgundy morocco, gilt ruled, gilt-lettered spine
Stock Code: 004195
Location: Bookroom
A highly attractive sammelband containing six illustrated political satires published in London during the extraordinary explosion of radical print culture surrounding Peterloo, the accession of George IV and the Queen Caroline affair of 1820. The volume brings together several of the most successful popular political pamphlets of the period, principally associated with the radical publisher and satirist William Hone (1780–1842) and the young George Cruikshank (1792–1878), whose vigorous caricatures helped define British political satire in the Regency period.
The pamphlets are valuable survivals of material that was originally cheaply produced, heavily read and frequently discarded. Their high edition numbers should not be mistaken for later nineteenth-century reprints: several of these satires passed through numerous editions within weeks or months of first publication, reflecting extraordinary contemporary demand. Hone and Cruikshank’s combination of nursery-rhyme parody, topical verse and instantly recognisable caricature made complex political arguments accessible to a broad popular audience.
Contents
- HONE, William. The Political House that Jack Built. A Rebus—Through up to show which way the wind blows. With Thirteen Cuts. London: Printed by and for William Hone, Ludgate Hill, 1819. Thirty-sixth edition.
One of the most celebrated political pamphlets of the Regency period and a landmark in the careers of both William Hone and George Cruikshank. First published in the aftermath of the Peterloo Massacre, it adapts the cumulative structure of the nursery rhyme The House that Jack Built into a sustained attack on political repression, corruption and the governing establishment. Cruikshank supplied thirteen cuts, including the famous title-page image “The Pen and the Sword.” The extraordinary designation “Thirty-sixth Edition” illustrates the speed and scale of its reprinting in 1819.
- The Palace of John Bull, Contrasted with the Poor “House that Jack Built”. With Eight Copper-Plates: Radical Balance—The Place—Radical Reform—England’s Pyramid—Radical Pyramid—Radical’s Triumph—Urban Amenities—Vessel of State, and Radical Ledger. London: Published by G. Greenland, 3 Finsbury Place; printed by G. Hazard, 50 Beech Street, 1820.
Apparently the first edition. A comparatively uncommon contemporary response to the enormous success of Hone’s Political House that Jack Built. Unlike the Hone pamphlets, this work adopts a counter-radical position and attempts to turn the imagery and rhetoric of The House that Jack Built against the reform movement. Its presence is particularly useful because the volume preserves political satire from both sides of the contemporary argument.
- HONE, William. The Man in the Moon, &c. &c. &c. With Fifteen Cuts. London: Printed by and for William Hone, 45 Ludgate Hill, 1820. Fourteenth edition.
Another highly successful Hone satire from the year of the Queen Caroline crisis. The work attacks the Crown, ministers and the political establishment through verse and caricature and belongs to the same extraordinarily fertile sequence of cheap illustrated political pamphlets issued by Hone in 1819–20.
- The Queen that Jack Found. With Thirteen Cuts. London: Printed and published by John Fairburn, Broadway, Ludgate Hill, 1820. Eighth edition.
A pro-Caroline satire belonging to the remarkable body of popular literature generated by the Queen Caroline controversy. The pamphlet uses the familiar “Jack” formula and thirteen illustrations to contrast the perceived innocence and mistreatment of Caroline of Brunswick with the conduct of George IV and his supporters.
- HONE, William. The Queen’s Matrimonial Ladder: A National Toy, with Fourteen Step Scenes; and Illustrations in Verse, with Eighteen Other Cuts. London: Printed by and for William Hone, Ludgate Hill, 1820. Twenty-first edition.
One of Hone and Cruikshank’s most inventive and successful publications relating to Queen Caroline. The pamphlet satirises the marital and political history of George IV and Caroline, presenting successive stages of the affair as the rungs of a matrimonial ladder. The high edition number again reflects the enormous contemporary popularity of this material.
- HONE, William. The Political “A, Apple-Pie”; or, The “Extraordinary Red Book” Versified; for the Instruction and Amusement of the Rising Generation. By the Author of “The House that Jack Built”. With Twenty-Three Cuts. London: Printed for the Author and sold by J. Johnston, 97 Cheapside, 1820. Fifth edition.
A witty political adaptation of the traditional alphabet rhyme, using the structure of a children’s primer to satirise government patronage, taxation, office-holding and the distribution of public money. This copy is incomplete, lacking five of the twenty-three cuts called for. That defect should be taken into account when assessing the completeness of the volume, although the pamphlet remains bibliographically and historically useful within the group.
William Hone, George Cruikshank and Radical Print Culture
The importance of the collection lies in the conjunction of Hone’s radical publishing and Cruikshank’s early political caricature. Hone had become nationally known following his acquittals at three successive trials for blasphemous and seditious libel in 1817. By 1819–20 he had perfected an exceptionally effective form of inexpensive political publishing in which familiar literary forms were combined with bold caricature and sold at prices accessible to a broad readership.
George Cruikshank was still in his twenties when these pamphlets appeared. His illustrations for Hone were among the works that established his reputation as one of the outstanding caricaturists and illustrators of his generation, long before his later associations with Charles Dickens. The immediacy of his drawing, combined with Hone’s topical verse, made these pamphlets powerful instruments of political communication.
The historical circumstances were equally important. The Political House that Jack Built emerged directly from the climate created by Peterloo in August 1819 and the subsequent governmental response. The 1820 pamphlets belong principally to the bitter national dispute between George IV and Queen Caroline, when the King’s attempt to exclude and divorce his estranged wife became a focus for wider arguments concerning monarchy, ministerial power, corruption, reform and popular political rights.
The result is an unusually coherent collection spanning two interconnected crises in British political culture, 1819–20.
Binding, Provenance and Condition
The six pamphlets have been preserved together in a handsome later burgundy cloth binding, with gilt rule to the boards and gilt lettering to the spine, reading Political House that Jack Built &c. An earlier owner has carefully recorded the individual contents and dates on the front endpapers, together with notes concerning the numbers of illustrations.
There are also early ownership inscriptions to several title-pages, adding evidence of the pamphlets’ collecting history.
The binding is nice and firm and presents very well. The pages are generally nice and clean with occasional age-related marking, wear, spotting and foxing. The illustrations remain strong and clear. The Political “A, Apple-Pie” is incomplete, lacking five cuts.
Now housed in an easily removable clear acetate cover.
Very good indeed overall, subject to the incompleteness noted above.
A highly appealing collection of original Regency political satire, bringing together William Hone, George Cruikshank, Peterloo, Queen Caroline and the radical politics of 1819–20, and particularly notable for containing an apparent first edition of The Palace of John Bull alongside contemporary high-edition states of several of Hone’s most famous pamphlets.
Stock code: 004195. Location: Bookroom.
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